Grady Harp wrote on 05/28/2010:

Tuoko Laaksonen (1920 - 1991) may have enjoyed worldwide fame as Tom of Finland during his lifetime, his fame due largely to an extensive following of those who praised his courage to paint and draw what he wanted to paint and draw rather than keeping his talent for figurative work in the dark corners of only certain bookstores. Now, thanks in large part to this very fine tome edited by Dian Hanson, the general public can appreciate the fact that not only did he appeal to a specific audience; he can now be seen as an exceptionally gifted draughtsman and artist.

Laaksonen/Tom of Finland restricted his output to figurative works that highlighted massively macho males in all manner of situations. While his work is erotically charged it always retains a brilliant sense of humor and parody: he celebrated his audience by saying it is not only OK to enjoy these works, it is also OK to see the humor in the distortion of fantasies. Many of these works in this exhaustive volume are well known, having been reproduced many times in literature and in galleries, but for the connoisseur there are unpublished works here, many of which show a more tender side to the artist. Hanson has the good idea of presenting these works of art in chronological order - another way of examining public acceptance of the artist's works - and the chapters covering sixty years of his output are arranged by decades, the Forties through the Eighties. Another fortunate aspect of this massive book is the decision to include essays and commentaries by such important writers as Edward Lucie-Smith, Armistead Maupin, John Waters, Todd Oldham and Camille Paglia.

This is a long awaited volume that places an underground artist in the same echelon with other contemporary figurative painters. It is a beautifully produced, edited, written and illustrated homage to an artist who is now recognized for his talent not only as an artist, but also as a spokesman for human rights! Grady Harp