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ISBN: 0826337716 Catalog #: BH2330982 |
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When Myron Brinig arrived in Taos in 1933, he thought he was just passing through on his way to a screenwriting job in Hollywood. But Brinig fell in love--with the landscape, the burgeoning art colony that centered around Mabel Dodge Luhan, and especially with Cady Wells, a talented young painter who had left his wealthy family in the East to settle in Taos. Brinig remained in the West off and on for the next twenty years.
Earl Ganz centers this entertaining novel on Brinig's conflicted relationships with Taos and its denizens. Myron Brinig, a completely forgotten writer, is brought back to center stage, along with many of the people who made Taos the epicenter of the utopian avant garde in America between the world wars. Among the cast of characters are Frieda Lawrence, Robinson and Una Jeffers, and Frank Waters, with cameo appearances by Gertrude Stein and Henry Roth.
"The Taos Truth Game reminds us that Americans have historically romped through the surprisingly wide open recreational reserves of marriage, sexuality, and friendship. Mr. Ganz exposes the daily drama of life in Mabel Dodge Luhan's orbit, and offers a rare look at our queer heritage in the American West that goes beyond the usual footnote or erasure. By weaving this pastiche from a forgotten novelist's memoirs, Mr. Ganz delightfully resurrects the truth game and invites us to play a hand."--Karl Olson, PRIDE Inc., Montana's LGBT advocacy organization
Publisher : University of New Mexico Press
Art & Artist, Book, Gay Male, Gay/Lesbian, Romance, Rural Life/Country, Writer/Writing
Amos Lassen wrote on 02/28/2011:
Ganz, Earl. “The Taos Truth Game”, University of New Mexico Press, 2006
The Truth Behind Art
Amos Lassen
In this first novel, Earl Ganz in “The Taos Truth Game” writes about the truth behind art and reveals the life of a forgotten writer, Myron Brinig. Brinig came to Taos in 1933, nursing a hangover and ready to attempt to see the world. He was on his way to Hollywood to write the great American screenplay. But the picaresque surroundings of Taos caused him to fall in love. For the ensuing twenty years, Taos would be home to him.
He became involved in the literary salon of Mabel Dodge Luhan joining some of the noted authors of the period, Frieda Lawrence and Gertrude Stein among them. While there, he came to be consumed by lust for an artist by the name of Cady Wells. It was this lust that propelled the man, Myron, and this is the substance of the book.
Ganz shows us Myron Brinig’s life as conflicted relationships and does so by researching that part of his life which was private and unknown and in doing so reveals a great deal of the coterie that was known as America’s avant garde. “The Truth Game” was a favorite pastime—not just a parlor game but an expose of the players’ sexuality, loyalty and hidden thoughts.
This is a fascinating look at those considered to be the thinkers of modern America and gives an in depth look at the queer past of the American West, something that had barely been mentioned aside from in footnote or in passing. What is so clever is that we are also invited to play the truth game along with the characters in the book.
Ganz resurrects the dead in his book and not just restores but animates them and gives them both spiritual and psychological life. The book is beautifully written and captures the reader from the first sentence. Here is a book for anyone who wants to know about how the west really was and what did it contribute to our gay lives—it is quite an achievement.
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