Review

"Truth in advertising." Let’s face it - that’s not a hallmark of gay porn marketing. We’ve all bought a video based on the dazzling cover model, who ends up just being the fifth guy in a ten-man orgy, and is so obviously uncomfortable/stoned that he can barely keep it up.

Well, for Steven Scarborough, "truth in advertising" is a maxim - and we’re not talking about that dumb straight-boy magazine! Whether they’re "downright filthy" or a "perfect fit," Hot House videos deliver exactly what they promise and then keep on giving. And that’s what happens here. Screw: Right to the Point indeed gets right to the point with some of the best man-on-man screwing you’ll see this year.

This is extreme gay power sex - the sucking is vacuum-packed and the fucking is jack-hammered. To a man, these guys push themselves and each other to their sexual edge and then jump right over it into the abyss. Some are double-take lookers, while others flaunt a street-trash style, but they are all completely real, naturally hairy (whether it’s on the chest, between the legs or both) and totally raw. A wise man once said, "I like the man who buys his spark plugs and underwear at the same place." Assuming these guys do wear underwear, that describes them all perfectly.

Certainly the cover model delivers. Kent Larson looks like a Tom of Finland fantasy, but as Hot House exclusive Collin O’Neal finds out in the first scene, he is rock-hard real - and the most masculine bottom this side of Zak Spears. As they first meet, they flash each other their pearly whites and then the family jewels. They perform tonsillectomies with their tongues and then fall to their knees for some mutual cocksucking and ass-rimming. O’Neal is the smaller of the two men, so you expect him to give up his ass, but Kent does things his way: He pushes Collin down on a leather chair and lowers himself on Collin’s steel beam, first from the front and then from the back. Then he lies down and lifts his legs to receive some more truly penetrating action.

That’s basically the style for the whole video: the lights turn on, the cameras roll, the models go at each other, and magic happens. The individual shots, especially during the anal action, are long and seamless, giving you plenty of time to jack off to your favorite model, position and camera angle.

Scene two opens with Tag Adams offering to service Mario Ortiz and Rick Gonzales. Let us now pause to sing the praises of Tag Adams. He is a very sweet-looking young man with a tight body, a gentle face and a warm, beguiling demeanor. He may also be the most shameless and exuberant sex pig in the business right now. He’ll do just about anything - and then do it all over again! His idea of "service" is to suck both those Latino burritos simultaneously and then bend over, so they can do whatever they want with his ass.

Ortiz gets carried away and shoots too soon, so Gonzales throws him out, taking Tag’s ass for his own. The scene ends with Adams lying on his head with his torso straight up in the air and his legs over his head, so Gonzales can do a 180-degree twist in the middle of his fuck that has to be seen to be believed. This is screwing - literally! With his cock thus positioned above his head, Tag shoots directly into his own face and open mouth, so he can eat his own cum. Oink, oink!

Scene three features the most classically handsome man of the cast, newcomer Troy Punk (dumb name, but you’ll forget it soon enough). With short blond hair, an open face, inviting eyes, a carpeted chest, a well-sculpted physique, and an easily worn maturity, he’s as handsome as they come. And in comes smooth-skinned Owen Hawk, who looks like Tag’s slightly younger brother. Opposites clearly attract here, and they begin by slowly peeling off each other’s tight jeans and chowing down. The heart of this scene, though, is a peerless flip-flop fuck, beginning with Punk impaling himself on Hawk and ending with Hawk on all fours for Punk. It’s heaven.

But if there’s a heaven, there must be hell, which is what Ortiz (who’s replenished his protein supply) and big, bad bald dude Dillon Press give the asshole of Alex Collack, Screw’s second featured Hot House exclusive. To warm things up, everybody kisses, sucks and rims everybody else, then the fires really get stoked when Ortiz and Dillon pile-drive Collack. But playtime has just begun, as the two tops proceed to stuff Collack with various grown-up toys. By the time they’re done, Collack’s asshole looks like a raspberry tart - a crusty edge and a bright red center. You would think it would hurt, but Alex clearly enjoys it.

The final scene has two of the raunchiest guys in the cast, Tony Serrano and Joshua Adams. The whole cast sport tattoos of various sizes, but Adams has a shoulder-upper arm tattoo that’s positively Celtic in its interweaving complexity and colors. It’s hard to keep your eyes off it, until Serrano displays one of those hard-ons that mere mortal men tremble at the site of, and you forget everything else (including your own name). Tony pummels Joshua with a teeth-rattling fuck that he’ll feel for days - and you’ll remember for weeks.

So what more needs to be said? Not much. If Steven Scarborough and his merry men can get right to the point, so can I: Screw this month’s rent money - buy this now!

 -- Jameson Rodgers

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Actually, there’s still a little left to be said, because the Director’s Cut of Screw: Right to the Point is a double-disc set. Disc 1 has the video, chapter selection, model and hardcore action galleries, a Hot House website preview, and trailers for Skuff II: Downright Filthy, Perfect Fit, and Scarborough’s masterpiece Descent.

Dick 2 (available only in the Director’s Cut) is where things get really sleazy, as if they weren’t already. First up is a fisting sequence with Alex Collack getting a helping hand from Joey Harden. Next is a continuation of the Tag Adams-Rick Gonzales action, where Rick washes the cum off Tag’s face - with his piss. Third is a "screw" compilation that is actually an expertly edited fifteen-minute mini-movie, rather than a simple clip reel. The disc ends with a cum-shot compilation that will leave you as soaked as the performers.

 -- Jameson Rodgers

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