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Review

Tazza: The High Rollers is director Dong-Hun Choi’s glitzy, fast-paced spin on a popular comic book about Korea’s gambling subculture and its assorted denizens, replete with an innocent all too eager to be corrupted, his wise mentor and the nogood woman whose main occupation is betrayal. All the familiar pieces are there but the filmmaker upends them, refreshing the conventions of crime/con films and turning his material into something of an epic journey where everyone appears to be interconnected. Tazza kicks off with a creative and virtuosic use of split-screen to showcase a game of hwatu, a card-playing session. In this tour-de-force sequence, the overlapping images are shuffled breathlessly like a deck of cards. The young hero, Goni, loses his money to a tazza, a high roller, and throws himself into a search of gambling dens to find the player who took his money. Along the way he meets the veteran tazza, Pyoung, who teaches him the tricks of the trade, and the formidable Madam Jung (the fabulous, scene-stealing Kim Hae Soo), a classic femme fatale who lures foolish men into losing games. In keeping with the material, the film looks like it’s been backlit with neon, a touch that contrasts brilliantly with occasional monochromatic imagery. (Korean with English subtitles)

 -- Joe Baltake