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Review

Soderbergh's experimental, witty take on contemporary middle-class values, corporate life and relationships, like his other films, is far from uplifting and is low-key to the extreme. The story, such as it is, deals with a dull mid-level executive with a stagnant marriage who, midway through the film, suddenly "turns into" a different character (shades of Lost Highway). The new character, it turns out, is having an affair with the exec's wife. Even more bizarre than it sounds, Schizopolis is an entertaining, unconventional surprise.